Category Archives: Where

Duck’s Breath Mystery Theater on-line!


Thanks to my friend Eric Lindberg, I can report that the 45 rpm “The Ballad of Ronald McDonald“, can be found at “https://beta.prx.org/stories/14394“, from 16:00 to 19:15 or so.

and Dr. Science: 20:33 to 21:40 – the Human Brain compared to the Computer.

Also found “Household Appliances“!  https://beta.prx.org/stories/14399 = #2 Behind the Comedy, from 32:50. Sounds like the lp version from “Out of Season“, with acoustic intro, then studio, rock and roll, contents.

Here’s the complete set of Behind the Comedy:

#1  https://beta.prx.org/stories/14394

#2  https://beta.prx.org/stories/14399

#3  https://beta.prx.org/stories/14403

#4  https://beta.prx.org/stories/14405

#5  https://beta.prx.org/stories/14492

The Ballad of Ronald McDonald – Merle Kessler / Duck’s Breath Mystery Theater


Thanks to my friend Eric Lindberg, I can report that the content of the 45 rpm “The Ballad of Ronald McDonald“, can be found at “https://beta.prx.org/stories/14394“, from 16:00 to 19:15 or so.

The Ballad of Ronald McDonald – Merle Kessler

His face painted gayly, young Ronald did ride

All with his soldiers, 2 Shakes and Large Fries

Big Mac he rode with him, and Mayor McCheese

To fight Colonel Sanders, his worst enemy

 

While in the White Castle fair Wendy did stay

She watched all a-tremble her lord ride away

She loved not Lord Ronald, though she was his McBride

Another clown had the franchise on her pride

 

All in the moonlight Jack’s onion rings shone 

To court this fair damsel he’d come all alone

The Taco Bell struck the young lover’s McDoom

As Ronald McDonald stepped into the room.

 

“My burgers are bitter!” young Ronald he cried

as he wiped a McTear from his orange McEye

“I blew-up your boxes, Jack, outsold you too”

“And Wendy, oh Wendy, I did it all for you!”

 

It was not Colonel Mustard in the hall with a knife

That parted the lovers away from their lives

But Ronald McDonald killed them and himself

Crying, “No need to go-o-o anywhere else!”

 

The Burger King found them on the sanitized floor

The blood thick as catsup, it grieved him full sore

He said, “Millions consumed your fast food while they roamed!”

“Now your arches have fallen, we’ll eat burgers at home”

 

This was a single put out by Mr. Kessler but also performed as part of Duck’s Breath Mystery Theatre shows. He was a member of that comedy troupe. I have the 45 rpm disc, autographed, somewhere, I hope. I meant to keep it.

This song was written and performed by Merle Kessler, and he holds the copyright to it. This publication of the lyrics is intended to keep knowledge of the song alive, and provide a reference for discussion. I assert that this is “fair use” under current law.

The rhythm is 10 syllables, 1,2,3; 12, 3; 12, 3; 1; : da da da, da-da  da, da-da  da,  da

It looks like 4 bars, or  6 groups of notes, per line, repeated 4 times per verse.

 

11/9/18 – add *what* struck the McDoom, then follow Eric’s note and get the rest! Thank you!

11/8/18  – add McDoom line & one after

Top 10 Bookstores in the East Bay


A nice write-up on a key subject! Omits “Dan Webb Books”, doesn’t mention “The Booktree” right across the street from “A Great Good Place For Books” but my picks belong in my list. This is theirs and I’m glad to have found it!

The writer mentions the Montclair Egg Shop as a pairing with A Great Good Place for Books. Absolutely yes! Best place I can think of to take a new book or an old friend or both.

Source: Top 10 Bookstores in the East Bay

Image

Father’s day tides at Moss Beach:


Here’s the tide table for this coming weekend at Moss Beach, just north of Princeton By The Sea, at the north edge of Half Moon Bay. High tide, +6 feet, at Midnight between Friday and Saturday, 1:00am between Saturday and Sunday. Low, low, tides at 7:00am, -1.5 feet!! on Saturday, -1.25 feet, at 7:48am, Sunday.
So, by crackie, we’ll be there as early as we an on Sunday. Sunrise is before 6:00am, so no shortage of light. Do a web search and you’ll discover this place has the best tidepools that ever existed- perhaps 1/4 mile or more along the coast, as much as 200 yards off shore of the normal high tide mark. A huge shelf of very low quality rock, normally around or perhaps a bit below the 0 foot level, that will be a good foot above sea level on Sunday Morning.

Hawker Hurricane Camouflage and exterior / interior colors.


I’ve just completed a series of color profiles of Hurricanes and I’m going to explain them here, with links to click on to show the images. I can’t seem to imbed them in this page without making a literal copy, which seems like a bad idea. So here’s literal copy to show what kind of image we’re talking about, and then descriptions and links:

Hurri Mk I, A patt

Hawker Hurricane, 1939; port profile,”A” pattern camouflage; 2 speed de Havilland prop; black, white, aluminum under v.12

Here’s the first plane, chronologically by subject:

Hawker Hurricane Mk I, 1938, digital image, by me, "A" pattern camo, Watts prop, no strake, tube mast, alu. finish under.

There are four parallel histories here, one, of the exterior colors and camouflage the RAF and RN used on all their airplanes, from 1937 to 1946. Second, the evolution of Hurricanes as a new-build manufactured item from Hawkers, Gloster, etc., in the UK, and Canadian Car and Foundry in Canada. Third, the evolution of Hurricanes in service, as operated, maintained, and repaired in the RAF, RN and Empire Air Forces. Fourth, the colors and markings specific to Hurricanes in the RAF, RN and Empire.

RAF camouflage and exterior colors  evolved in this sequence:

  • Overall Aluminium
  • Dark Earth and Dark Green upper surfaces, Temperate Land Scheme; black propeller blades
  • Aluminium undersurfaces
  • Black and white undersurface identification marking
  • Black spinner, yellow propeller tips
  • Sky undersurfaces (Sky type ‘S’)
  • Black starboard wing underside returns, departs
  • Sky spinner and aft fuselage band
  • Black overall night fighters
    • Special Night, ultra-flat black
    • Smooth Night, matte black.
  • Dark Earth and Mid-Stone, over Azure Blue
  • Dark Green and Ocean Gray, over Medium Sea Gray
  • Dark Green and “Mixed Gray”, over Medium Sea Gray
  • Black undersides for night intruders
  • Dark Earth and Dark Green, over Medium Sea Gray

 

RN camouflage and exterior colors evolved in this sequence:

  • Overall Aluminium
  • Slate Gray and Extra-Dark Sea Gray upper surfaces, Temperate Sea Scheme; black propeller blades
  • Aluminium undersurfaces
  • Black and white undersurface identification marking
  • Black spinner, yellow propeller tips
  • Sky undersurfaces (Sky type ‘S’)
  • Black starboard wing underside returns, departs ?
  • Sky spinner and aft fuselage band
  • All white lower surfaces, gloss below, matte above

 

Hurricanes as manufactured: The original Hurricane production line followed Hawker’s usual practices of the mid 1930s, building up the fuselage truss and wing center section spars from tubing and rolled sheet metal. A family of joints between multiple tubes had been designed at Hawker, with tools to form the tubing into flat-sided, readily joined pieces, brackets to allow the formed pieces to be bolted together securely, and fittings to anchor the joints to internal tension wires. The fuselage girder was internally wire braced from the engine bearers to the rudder pivot.

The first 500 airplane’s wings were also fabric over metal frames and featured high strength sheet steel spars, rolled from single sheets into avertical web and top and bottom octagonal tubes, fore and aft. Ribs zig-zagged between the spars (/\/ww.\/\) forming a light, strong, stiff structure. The wide-track, retractable, landing gear was attached at the outside of the inner wing stubs. Ribs attached to the spars, front and back, to give an airfoil shape to the linen that was stretched over the whole structure and then doped.

Photographs clearly show the tube frames were painted a light color, almost certainly the familiar Aluminium lacquer or enamel, as were the interiors of wheel wells, spars, ribs, etc. The cockpit walls, outside the tube frame, were, in production, painted with the RAF’s standard, gray-green, fuel-proof, coating. (Lacquer? Enamel? something else?)

The heel-boards leading from under the seat to under the rudder pedals were unpainted aluminium or possibly painted Aluminium colour. Cockpit seats also appear to be unpainted aluminium, but Aluminium colour is again possible. There aren’t any contemporary color photographs and few Hurricanes led a sheltered life. Forensic sanding, as the Smithsonian did on the rudder counterweight of the Mustang “Excalibur” would be interesting. Presumably, this is what leads to the schemes used by Hurricane Restoration and other professionals.

While those were being built, Hawker designed an all-metal wing of monocoque construction. It was lighter, cheaper and easier to build than the traditional form, but required Hawker’s technology to evolve, while the original form poured off the production line and into RAF service.

It was painfully clear that centralized manufacture of anything in war-time was an invitation to disaster. Hurricane production, like everything else, was dispersed to many locations, each building as much value into their piece as possible, before having to send it to another workshop to integrate into the next step.

 

Other operators: Hurricanes in the Belgian, Dutch East-Indies, Royal Egyptian, Finnish, Imperial Iranian, Irish, Portuguese, Soviet, Turkish, and the Kingdom of Yugoslavia Air Forces started out in RAF/RN colors, and if they survived, further evolved locally. A single Hurricane shipped to Australia during the war, a single example shipped to Argentina after the war and three that were transferred to the Belgian AF after the war had similar histories. The RAF identified many of its own squadrons by the country of origin of most of their pilots, for example, Royal Australian, Royal Canadian, Czechoslovak in exile, Danish in exile, Free French, Royal Indian, Royal Hellenic. Royal New Zealand, Royal Norwegian, Polish, and South African. All operated within the RAF and their equipment was the same as near-by RAF units.

I do not attempt to describe what camouflage was carried by the 20 Hurricanes built by the Zmaj factory in Yugoslavia or the two built in Belgium. More than one Zmaj-built example fell into Italian hands, two Mk IIb Trop models fell into Japanese hands and a number of working or repairable examples came into German hands.

The RAF and RN standard, when Hurricane production began, was overall Aluminium (note spelling) dope, lacquer or enamel, depending on substrate. Fabric surfaces of Hurricanes were Irish linen, with a dark red dope applied to tighten it, then the Aluminium top coat. Aluminium dope is a excellent finish for fabric covered airplanes, because it blocks all Ultra-Violet light, which would otherwise bleach and degrade the underlying dope and fabric. A trained worker can get a satisfactory finish using standard tools and techniques.

Before the Munich Crisis, someone in the RAF realized it was time to hide the airplanes, and the familiar Dark Green and Dark Earth were applied. These were not repeats from WWI practice. There must be a history, but I don’t know it. They were collectively named “Temperate Land Scheme”. The Royal Navy soon had both a Temperate Sea Scheme, and a Tropical Sea Scheme. Eventually there was a Desert scheme for the RAF. All of these camouflage schemes applied only to the upper surface of the airplane. The underside finish was the previous, non-camouflage, standard, Aluminum, dope, lacquer or enamel.

Yes, these rabbit holes go very deep. See, for example,
http://www.britmodeller.com/forums/index.php?/topic/66903-raf-hurricanes-in-desert-camo/

The prototype Hurricane had its exterior metal panels polished, the very first production planes might have had Aluminium lacquer over gray primer. The green and brown finish became the factory standard, quickly, and the Maintenance Units would have updated any early production.

All this first set use the Temperate Land Scheme and the Desert scheme. (Capitalized? “S”cheme? There is no end to this stuff.)

Temperate Land colors are Dark Earth, a golden brown, much like a freshly plowed field in UK, and Dark Green, a nice, mature foliage color. On my first visit to the UK, looking out of the airplane window, I saw these same colors spread out in the countryside, and I realize this is precisely what this camouflage was intended to blend in to.

Here are relevant examples:

Captured Hawker Hurricane

Color photo of captured RAF Hawker Hurricane undergoing testing in German hands. Note Luftwaffe markings, worn appearance of finish.

Canadian Hurricane

Contemporary color photo of Canadian Hurricane in flight

Preserved Hurricane

British Science Museum’s Mk 1 Hawker Hurricane and Supermarine Spitfire. Hawker Siddley overhauled the Hurricane in 1963, the finish may not be original.

 

 

Contemporary WWII photo of Hurricane production, in Desert scheme

 

When Hurricanes went to Crete, Malta, Palestine, the Suez Canal Zone, and Egypt, they went wearing the standard green and brown. An Azure Blue for undersides to match the deep, dark, blue of a drier sky, appeared. A yellow-brown named “Mid Stone” replaced Dark Green and that was enough. Night bombers and intruders got black undersides, sometimes, but I’ve never seen evidence of all-black night flyers in the Mediterranean.

Undersides are a different kettle of fish. Originally left Aluminium, they were then intended to be painted half black and half white, divided down the middle of the underside. with the black on the left or port underside and the white on the right or starboard underside. This would make it very easy to recognize RAF airplanes compared to any others. The tersely worded official telegram instruction was open to more than one interpretation, however, resulting in airplanes with the wings painted white and black underneath, but the fuselage and tail left all Aluminium. In other cases, the black and white on the wings extended to the centerline under the fuselage, but the fuselage, fore and aft of the wings, remained Aluminium.

During the Battle of Britain, providing easy identification of British planes was reconsidered, and a new underside color, named Sky, was required, from sunrise on May, 1940. Also referred to as “duck egg blue”, Sky was a light, slightly greenish, blue. It had been worked out as the overall color for a notionally civilian Lockheed owned by a man named Cotton. As war became more and more likely, it became clear that accurate maps of Germany might be valuable and hard to get. Mr Cotton’s twin-engined Lockheed had a hidden camera installed, with a remote controlled cover that could open in flight,

Some experimentation revealed the light greenish blue concealed it best from ground observers. Thus painted, it ranged far and wide in European skies, in the fading years of peace, building a foundation for British aerial mapping throughout the war.

 

Additional reading:

https://en.wikipedia.org/wiki/List_of_Hawker_Hurricane_operators

“Duel of Eagles” – Peter Townsend

Camouflage & Markings: R.A.F. Fighter Command, Northern Europe, 1936-1945 
by James Goulding

http://www.britmodeller.com/forums/index.php?/topic/66903-raf-hurricanes-in-desert-camo/

Explore Hawker Hurricane and more!

 

Colors & materials for Apollo 11 CM, SM & LM. What the hardware looked like. For the Dragon kit.


Thanks to my beloved wife Jean, I got a Dragon Apollo 11 on the Moon kit, for Christmas! 1/72 scale, new tooling (same as their die-cast metal collectable?)

The short form on real, as-flown-in-1969, surfaces and finishes:

Command Module.

The actual Apollo Command module was covered with strips of mirror finish aluminized plastic micrometeoroid shield and thermal insulation, on the visible surfaces. The ablative heat shield, not visible until the CM and SM are separated, is said to have been painted a light gray color. During re-entry to Earth’s atmosphere, the mylar was mostly burned off and a light-gray painted structure under it became visible. Below that paint appears to have been a composite honeycomb material. I think it is unlikely that the actual pressure vessel that the crew lived in touched the outside surface except at the hatch edges.

In pictures of the remaining, unused, Apollo CSM (the emergency rescue vehicle for Skylab), you can see the stripe pattern of the plastic tape on the CM exterior, but in contemporary photographs, it looks like one piece of mirror polished aluminum. Like an American Airline’s jet airliner.

The fold-flat handles on the outside of the CSM, for astronaut Extra-Vehicular Activities (EVAs) were painted a glossy yellow, like the similar hand-rails on the the Hubble Space Telescope.

The docking capture and latch mechanism mounted on the outside of the tunnel, above the front hatch of the CM, is primarily titanium-looking metal, with a chromed, presumably retractable or spring loaded or damped, shaft.  There are darkened metal handles in the mechanism, probably painted or anodized a dark blue dark gray or black.

The inside of the tunnel itself, behind the docking capture mechanism, is light gray with 12 blue-anodized cylinder-topped arms at the top, some black and some other colors of boxes, and wires,

Service module:

The Service module exterior was  painted with an aluminum paint, except for radiator areas fore and aft which were white, two “ram’s horn” antennas that were white or light gray, and 24 narrow stripes (about 25%) on panels under the RCS thrusters. The area under “United States” may or may not have been light gray, and many labels on the exterior appear to be black text on light gray background.

The main engine exhaust bell is complex, but a bluish gray for the biggest, lower, part, outside, and reddish gray for the upper part, outside, is a good start. The top of the bell joins the reddish part at a flange, with bright bare metal fasteners by the dozen. The top of the bell, the last part visible beyond (below) the Inconel heat shield, is wrapped in the mylar and-or “H-film” ( aka “Kapton”) insulation and micrometeoroid shield. The back of the CM is mostly covered by 4 stamped quadrants what looks like thin Inconel nickel-copper high temp metal. The furthest outer edge of the end of the Service Module is painted with aluminum paint just like the sides.

Lunar Module:

The Lunar Module has two very different areas of finish: The descent (lower) stage is primarily wrapped in thermal insulation / micromedeoroid protection, a multilayer collection of  Kapton (“H film”) and Mylar, and other, exotic, things, with metal evaporated/ plated on them for protection. A lot of what looks ‘black’ is actually a black-finished foil or mylar.

The descent engine has a medium gray exterior and nestles in an Inconel-lined cavity in the descent stage.

The ascent (upper) stage of the Lunar Module is about half black-finished and half anodized Aluminum. Yes, the Aluminum looks like its dark, like Titanium, or has a distinct gray-beige-green tone. All true, many have remarked on the hard-to-describe colors. Grumman’s construction documents for the whole thing, facet by facet, are on line, and they specify Phosphoric acid and Sulfuric Acid anodizing of the various aluminum alloy pieces.  Some Mylar or “H film” wrapping is on the the outside of the ascent module. The ascent engine has a semi-gloss white exterior, with a textile-like “wrapped” texture. This may be thermal insulation, similar to the thick batts of insulation wrapped around the F1 engines of the Saturn V first stage.

There are two dish antennae on the ascent stage, Both have white-painted dishes and are generally black otherwise. The antenna directly above the lunar egress hatch and the front windows has black foil everywhere except the inside of the dish. The signal radiator in the center of the dish is white.

The antenna off on the starboard side of the ascent stage has a semi-gloss black mechanism and flat black on the back on the dish. Black, also, on the 4 legs and the forward reflector in front of the dish.

In more detail:

Command Module.

The Reaction Control System (RCS) engine nozzles on the CM have an oxidized copper color in their throats, and a slightly corrugated texture. Photos of post-re-entry CMs show a ring of the same oxidized copper color outside the nozzles, but the aluminized mylar covers these rings up to the edges of the RCS engine bells.

The forward and side windows for the two outside crew stations have black anti-glare finish around the windows, and red-orange silicone seals at every layer of the windows.

Below or behind the port side windows and the crossed RCS nozzles are a pair of drain valves, white 5/8 spheres with gold-toned dots at the outside. A very similar purge valve is installed on the starboard side of the side hatch.

On both sides, below windows, RCS nozzles, etc and the edge of the ablative re-entry shield, there are translucent white dots. Under the Mylar there are black partial circles around these two translucent circles,. On the Service Module, there are matching white partial circles painted on the fairing at the top edge of the SM

A minor (very minor) mystery is what kind of plastic the reflective stuff on the CM is. The expected temperature range in the space environment was wider than NASA was comfortable using Mylar, generally, uncovered, in the thermal insulation blankets covering the LM Descent Stage. Therefore, the outer layer of those blankets is always Kapton (“H film”), which is usable over the expected temperature range.  Of course, a blanket of up to 25 layers of plastic, using microthicknesses of vacuum deposited metal for insulation, is fundamentally different from a pressurized honeycomb structure wrapped with a layer of glued-on plastic tape. Maybe the thermal mass and inertia of the CM (and the slow-rolling passive thermal control regime) kept conditions on the outside of the CM suitable for Mylar, Maybe the CM plastic has the metal side “out”, unlike the majority of LM applications which are generally plastic side out (hence the gold-amber color: its not gold foil, its aluminized Kapton with the metal in and the plastic out.

Service module:

Inside the main engine exhaust bell is complex. At the bottom, inside the bluish gray outside, are 16 dark metal petals with strong textures. Inside the reddish-gray part of the bell are a set of 6 petals and then a solid ring- all a glossy dark color.  Above the dark, solid, ring, is a white metal ring, something like aluminum colored. Above that is an orangey brown and then at the peak of the engine is a light, metallic-finished plate with 5 stamped spokes and a central cap.

Lunar Module:

How I plan to reproduce these colors:

Command Module:

The glued-flat aluminized mylar on the real thing doesn’t look like any paint, even mirror polished aluminum. It looks like mylar, darker than polished aluminum. I have seen photos on-line of Apollo CMs finished in Bare Metal Foil, in the correct striped pattern. But I don’t see the stripes unless I look very closely in the 1960s photos- they’re easy to see in flash photos taken today, on the leftover CSM lifeboat for Skylab that never flew. But not in pictures of Apollo 11, or 15, or any of the other hardware that was flown.

Sooooo: Bare Metal Foil remains possible, or very thin aluminum foil, polished and clear-coated. “Chrome” spray paint would not be a bad choice. Having the kit part polished and then vacuum coated with aluminum would be very close to the real thing. Brush-painting Testor’s Chrome Silver oil-based paint or another similar non-water-based product is also a thought – the occasional brushmark could be said to represent the stripes of the Mylar…

“Chrome” spray paint or Metalizer Buffable Aluminum rattle can are the top two contenders at the moment. I’m going to do a study with each and see which I like more  watch this space.

Service Module:

Polly-scale Reefer White (that’s as in Refrigerator White, the rail-road color) is my call for the white paint on the lower and upper ring radiators, the two ‘tabs’ containing the ram’s horn antennas, and the white areas near the RCS boxes. My own mix for Boeing Aircraft Company #707 Gray is my first choice for the Light Gray RCS boxes, unless they’re white too, have to check again before I commit myself. The Inconel heat shield could be Polly Scale Stainless Steel, maybe with a bit of yellow added to bring out the nickel ‘color’… Inconel is a copper-nickel alloy and its attraction is that it holds its strength at high temperatures, not that its intrinsically tough stuff like titanium. It actually cuts and polishes pretty readily, but the important thing is that its clearly NOT aluminum. Completely different color. Not unlike stainless steel, which is, itself, not like steel OR aluminum.

Lunar Module:

Corrected captions for the Denver Post’s Plog of WWII in the Pacific.


Have a look at the well chosen pictures at the Denver Post’s Photo Blog or Plog. http://blogs.denverpost.com/captured/2010/03/18/captured-blog-the-pacific-and-adjacent-theaters/1547/

Sadly, the captions seem to have been either the intentionally uninformative wartime stuff, or edited to reduce meaning. I ended up with strong feelings about a bunch of the captions and sent them back the following suggestions. You may snicker knowingly if you please. I stopped after photo #19, and I tried to hit the meaningful stuff, and wound up sending them the following as comments. In each case I’ve put the photo caption and then my comment:

“2: December 7, 1941: This picture, taken by a Japanese photographer, shows how American ships are clustered together before the surprise Japanese aerial attack on Pear Harbor, Hawaii, on Sunday morning, Dec. 7, 1941. Minutes later the full impact of the assault was felt and Pearl Harbor became a flaming target. (AP Photo)”

Not to quibble but shore installations (Hickam Field) are already aflame, bombs have clearly gone off in the water of the harbor, torpedo tracks are visible and an explosion appears to be illuminating the third ship from the left, front row, the USS West Virginia. This photo is seconds, not minutes, from the full impact being felt. It is credited “Photo #: NH 50931” by the National Archives.

“4: December 7, 1941: The battleship USS Arizona belches smoke as it topples over into the sea during a Japanese surprise attack on Pearl Harbor, Hawaii. The ship sank with more than 80 percent of its 1,500-man crew. The attack, which left 2,343 Americans dead and 916 missing, broke the backbone of the U.S. Pacific Fleet and forced America out of a policy of isolationism. President Franklin D. Roosevelt announced that it was “a date which will live in infamy” and Congress declared war on Japan the morning after. (AP Photo)”

The battleship USS Arizona had already sunk, on an even keel, as she still lies today, before this photograph was taken. Note the forward main gun turret and gun barrel, in the lower left. The forward mast collapsed, as shown, into the void left by the explosion of the forward magazine, which sank the ship. The flames are from burning fuel oil. The fires were not extinguished until December 8, so this picture may have been taken on the Day of Infamy, of the day after. Compare to official U. S. Navy photo Photo #: 80-G-1021538, taken on the 9th of December, after the fires were out, showing the forward mast in the same shape.

“9: April 18, 1942: A B-25 Mitchell bomber takes off from the USS Hornet’s flight deck for the initial air raid on Tokyo, Japan, a secret military mission U.S. President Roosevelt referred to as Shangri-La. (AP Photo)”

When asked where the US bombers that struck Japan on April 18, 1942 had flown from, President Roosevelt replied (humorously) “Shangra La”, an imaginary paradise invented by novelist James Hilton. He showed shrewd tactical sense, the imaginary location was placed on the Asian mainland, opposite the direction the B-25s had actually came from. The U. S. Navy later had an air craft carrier named the “USS Shangra-la”, making it the only US ship named after an imaginary place, work of fiction, or a presidential joke, your choice.

(not shared with the Denver Post – I built a model of one of the Doolittle raiders and posted this writeup about it: https://billabbott.wordpress.com/2009/03/13/building-itale…olittle-raider/)

“10: June 1942: The USS Lexington, U.S. Navy aircraft carrier, explodes after being bombed by Japanese planes in the Battle of the Coral Sea in the South Pacific during World War II. (AP Photo)”

The Battle of the Coral Sea is usually dated May 4–8, 1942, not June, 1942. This photograph must have been taken after 1500 (3:00pm) on May 8, and may be seconds after the “great explosion” recorded at 1727, 5:27pm. It is Official U. S. Navy Photo #: 80-G-16651. The USS Lexington was scuttled by US destroyer torpedos and sank about 2000, 8pm, that day.

“17: June 1942: Crewmen picking their way along the sloping flight deck of the aircraft carrier Yorktown as the ship listed, head for damaged sections to see if they can patch up the crippled ship. Later, they had to abandon the carrier and two strikes from a Japanese submarine’s torpedoes sent the ship down to the sea floor after the battle of Midway. (AP Photo/U.S. Navy)”

Belongs directly after Photo 11, showing the damaged and listing USS Yorktown. The two photos were taken the same day, after the second Japanese air attack on the Yorktown, after noon, June 4, 1942. This is official US Navy Photograph #: 80-G-14384.

“18: Oct. 29, 1942: U.S. Marines man a .75 MM gun on Guadalcanal Island in the Solomon Islands during World War II. (AP Photo)”

75mm gun, not .75 (100 times bigger!). 75mm is slightly less than 3 inches. .75 would be slightly less than .030 inches, 1/10 the size of a “30 caliber” aka 0.30″ rife bullet. Given the short barrel, light construction and high elevation, its probably a howitzer and not a gun. “Artillery piece” might be more constructively ambiguous.

“19: October 16, 1942: Six U.S. Navy scout planes are seen in flight above their carrier.”

SB2U Vindicators were withdrawn from all carriers by September, 1942. Marine SB2U-3s operated until September, 1943, but only from land. The photo may have been released or dated October 16, 1942, but is unlikely to have been taken on that date.

(I’ve edited the original captions in for reference here – what I sent didn’t quote the captions, except for #18. I rebel at mumbojumbo like .75mm or .20mm, conflating the common “.(something)” inch dimensions for inch dimension ammunition with the dimension “mm”.

Generally “0.(something)” is the recommended format for dimensions, but “50 caliber”, “.50 caliber”, “.45-“, “30-” etc., clearly intersect with 75mm, 20mm or 9mm and produce a muddle in the mind of writers and editors…)

If the NRA really cared about educating people, they’d work on this issue.